Donald Judd has produced similar arrangements of identical rectilinear metal units since 1965. Donald Judd's progression sculptures are a series of wall sculptures created between 1964[1] and the 1970s. Peintre à l'huile rouge cadmium sur bois et émail violet sur aluminium (exemple 3, peinture acrylique à la place de peinture à l'huile). L’exposition le rappelle magistralement : les œuvres de Donald Judd … Composed of anodized aluminum, untitled is defined by the artist’s juxtaposition of red and magenta, a striking variation of a palette that he revisited throughout his career, including in his first examples from this body of work. Galerie Ileana Sonnabend, Paris Gian Enzo Sperone, Rome Acquired from the above in 1970 . DSS 220 blue anodized aluminium, 9 April 1970 Galvanised steel with aluminium reinforcements and inset blue perspex panels, 10 units, each 9 × 40 × 31 (23 × 101.6 × 78.8) Il a par la suite effectué un transfert à la Columbia University School of Cette pièce tardive de Donald Judd répond, comme un habile dialogue, à untitled 1963. Artwork page for ‘Untitled’, Donald Judd, 1973 Judd wanted to remove all physical traces of the artist's hand from the making of a work, believing that they would distract viewers. DSS 123 stainless steel and yellow perspex, two examples: DSS 139 stainless steel and light blue perspex, 18 September 1968 DSS 306 cold-rolled steel, 12 November 1973. Judd meurt le 12 février 1994 à New York à l’âge de 65 ans et ses deux résidences, New York et Marfa au Texas, proposent des expositions … Not inscribed, each unit stamped on back ‘JUDD/JO/Bernstein Bros. Inc./80–49’ DSS 239 clear anodized aluminium, 15 December 1970 [2] Each work is similar in form, with Judd's choice of material varying depending on the date of production. The Tate Gallery 1980-82: Illustrated Catalogue of Acquisitions, London 1984. Donald Judd, ‘Untitled’, 1991 COURTESY: Galerie Thaddaeus Ropac / PHOTOGRAPH: Thomas Lannes Since their father’s death in 1994, Flavin and his sister have been committed to the huge undertaking of preserving his numerous spaces, from the five-storey, cast-iron building at 101 Spring Street in New York to the 20 buildings in Marfa, as Judd requested in his will. Not on view. Donald Judd Untitled (2-L) 1961–69. In the case of large format ‘stacks’, like T03087, this is 9 inches. With the exception of the first of these arrangements, a large galvanized iron ‘stack’ comprising seven five-sided boxes, completed in June 1965 (DSS 65), each ‘stack’ is composed of a minimum of ten units. These units, which are cantilevered off the wall at regular intervals, one above the other, are often referred to as ‘stacks’ and are made in two sizes. DSS 78 galvanised iron, filled in, 11 January 1966, refabricated 19 February 1968 The use of two different materials, aluminum and Plexiglas, again offers the viewer two experiences; from the front, the … DSS 104 galvanised iron, green lacquer on front and sides, 27 January 1967 (8 units); Summer 1972 (2 units) Ces œuvres, qu’il nomme « piles », sont constituées d’une succession de formes rectangulaires alignées verticalement contre le mur. Donald Judd, Untitled, 1991, Anodized color on extruded aluminum, 5⅞ x 41⅜ x 5⅞ inches (15 x 105 x 15 cm) Donald Judd began to make prints in 1951 that were figurative and transitioned to abstract images by the mid-1950s. The long wall pieces currently on view in Chinati’s U-shaped special exhibition space date from 1979-80, but the form employed was developed by Donald Judd in the mid-1960s and is usually called a “progression” because of the progressing dimensions of the boxes. DSS 118 stainless steel and amber perspex, 2 examples: a) made 2 February 1968, refabricated 24 February 1971. [3] The initials ‘JO’ are those of José Otero, a technician at Bernstein's who has made many of Judd's metal sculptures. Most consist of ten elements, although there is variation in the materials used. Anodized aluminum. His first ‘stack’ dates from 1965 but he continued to develop this form throughout his career. These objects belong to a vast and original vocabulary of forms, including stacks, blocks and progressions that challenge existing categories such as sculpture and painting. DSS 208 stainless steel and blue perspex on sides and front, 9 January 1970 Les éléments ne se touchent pas et les intervalles qui les séparent sont de la même … [3] Judd based each work on a simple mathematical sequence such as the Fibonacci Sequence. Untitled (74-8 Bernstein), 1974. Judd meurt le 12 février 1994 à New York à l’âge de 65 ans et ses deux résidences, New York et Marfa au Texas, proposent des expositions … The first ‘stack’ comprising 10 units and where the overall dimensions of the individual units correspond exactly with those of T03807 is DSS 78 a five-sided stack in galvanized iron, first made in 1966 and refabricated in 1968. The seductively uniform surface of this work, enhanced by the reflective finish of the copper, calls attention to its industrial origins. Provenance. Après s’être essayé à des structures au sol (des modules répétés qu’il nomme « boîtes »), Judd commence à travailler à des structures murales.
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