Durant’s sculpture “Scaffold” was made in 2012 for Documenta 13 in Germany, where it was shown without incident as a critique on capital punishment in America. After reviewing 80 proposals for the third and fourth Plinth commissions, the High Line Art team has selected 12 for further consideration. “For Sam, the goal is to make visible in America the drone warfare that this country carries out against countries very far away,” Alemani said of the targeted killings that first proliferated during the Obama administration. All along the High Line, you’ll find public art, best viewed, imo, on a wintry Monday morning… Simone Leigh’s magnificent ‘Brick House,’ the inaugural commission for the High Line Plinth. The influence of the High Line’s art program will soon be visible in a new venue. I believe so. Giant Sculpture “Brick House” by Simone Leigh Towers Over the Newest Section of NYC’s High Line. Celebrating the resilience and beauty of Black womanhood, Brick House is a 16-foot-tall bronze bust whose torso is conflated with the forms of a skirt and a clay house. Le Plinth, ouvert assez récemment, est dédié à l’exposition de sculptures publiques, et Brick House est la première à y être exposée. So many civil rights leaders have called on white people to join the struggle for racial equality. Durant originally conceived “Untitled (drone)” in 2016, when it was one of 12 shortlisted along with Simone Leigh’s proposal for “Brick House” for a new monumental public art commission called the High Line Plinth to rotate every year and a half. High Line Art is dedicated to expanding the role of contemporary art in public spaces. When was the last time you were in contact with the various parties in Minneapolis? The dark pink mural, executed by a … I have changed some of the ways I do my work but I am still committed to the same sorts of subject matter as before, things that are important to society. Durant’s new commission for the High Line is his first large-scale work in the public sphere since the 2017 controversy in Minneapolis over his sculpture “Scaffold,” which enveloped the artist in a storm of cultural debate over whether white artists should depict painful racial narratives that weren’t necessarily their own stories to tell. Major support is provided by Shelley Fox Aarons and Philip E. Aarons, The Brown Foundation, Inc. of Houston, and Charina Endowment Fund. What kind of impact have the events around “Scaffold” had on you? The piece was later acquired by the Walker Art Center and installed in its Minneapolis Sculpture Garden in 2017 without any outreach to the Dakota people. You wrote in a statement last fall that the museum could still reconvene the three main stakeholders in “Scaffold” — the Walker Art Center, the Dakota Oyate that controls the copyright and yourself. Sculpture and Art on New York's High Line, New York, New York (B) Even on a cold winter’s day New York’s High Line is a popular place. Screening daily at dusk and featuring works by Cecilia Bengolea, Ben Hagari, Devin Kenny, and Angelica Mesiti, The Musical Brain is a video exhibition that shows how music is both an art form and a way that we hear the world around us. Additional support is provided by The Andy Warhol Foundation for the Visual Arts. Something that I learned from “Scaffold” is just how powerful symbols can be in evoking strong emotion. Major support for the High Line Plinth is provided by members of the High Line Plinth Committee and contemporary art leaders committed to realizing major commissions and engaging in the public success of the Plinth: Shelley Fox Aarons and Philip E. Aarons, Jennifer and Jonathan Allan Soros, Elizabeth Belfer, Suzanne Deal Booth, Fairfax Dorn, Steve Ells, Kerianne Flynn, Andy and Christine Hall, Hermine Riegerl Heller and David B. Heller, J. Tomilson and Janine Hill, The Holly Peterson Foundation, Annie Hubbard and Harvey Schwartz, Miyoung Lee and Neil Simpkins, Dorothy Lichtenstein, Amanda and Don Mullen, Douglas Oliver and Sherry Brous, Mario Palumbo and Stefan Gargiulo, Susan and Stephen Scherr, Susan and David Viniar, and Anonymous.
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